Tomato Jam
2026
Sistermoon Farm · Shenandoah Junction, West Virginia
Photos by Aaron May
The fifth annual
Tomato Jam 2026 at Sistermoon Farm in Shenandoah Junction, WV
Find your photosAugust 15, 2026 · Photographed by Aaron May
Tomato Jam is a community-run music festival at Sistermoon Farm in Shenandoah Junction, West Virginia, thrown every August for what the organizers call lovers of music, art, and tomatoes. The fifth one happened on Saturday, August 15, 2026, from midafternoon until well after dark. I was there with cameras and a portrait booth built around a giant crescent moon.
If you came to Tomato Jam and sat on that moon, or just wandered past my lens at some point during the day: the photographs are here, they are free, and the button above goes straight to them. If you have no idea what Tomato Jam is, keep reading. You'll want to go next year.
How I got here
The very last-minute invitation
Rosie and Maria Russo, the sisters who run Sistermoon Farm, got in touch pretty last minute about having a photographer at this year's Jam. I looked at my calendar and found an open Saturday in the middle of August. Wedding photographers do not have open Saturdays in the middle of August. I have been doing this since 2018 and I cannot fully explain it.
So I said yes. Some gifts you don't interrogate.
For everyone who got here by Googling
Tomato Jam, and the farm that throws it
Sistermoon Farm is 33 acres of regenerative, no-till farmland in West Virginia's Eastern Panhandle, on Flowing Springs Road between Shepherdstown and Harpers Ferry. Rosie and Maria founded it in 2020, grow vegetables and hay there, and treat getting people onto the land as part of the job.
Tomato Jam is their fundraiser and their party: volunteer-run, family-friendly, and stubbornly local. This year ran from 2:30 in the afternoon until the amps hit their 10 p.m. curfew, and the bill was deep for a farm festival: Mister Mae, New Way Drive, The Fly Birds, Aristotle Jones & the Appalachian Soul Band, and The Woodshedders on the main stage, with The Glass Eyes on the pond stage back along the walking trails. In between came yoga, a sound bath, a community art build, an instrument petting zoo run by Wind Gap Music, craft vendors and food trucks up the hill, a raffle, a Biggest Tomato award, and several competitive events involving airborne produce. And when the amps went quiet at ten, an acoustic Nightshade Jam kept going by the campfire, which is the most tomato-named thing I have ever heard. Proceeds go back into the Jam and the farm, with a boost this year from Mid Atlantic Arts' Central Appalachia Living Traditions program.
The day, as I saw it
Photographing Tomato Jam 2026
I photograph a lot of weddings in these hills, and Tomato Jam runs on the same fuel: people who like each other, outside, in August, with a band playing. Except nobody here was on a timeline, and the dress code was tie-dye.
The music went all afternoon and deep into the night. String bands traded the stage under a pink neon Sistermoon Farm sign; by dark there were congas and a saxophone and a dance floor with no edges. The lineup ran from mountain string band to Appalachian soul, which is a range most festivals five times this size don't attempt.
Then there is the tomato toss, which is an egg toss played with ripe tomatoes, and therefore a game with consequences. Pairs line up, the lines back apart, and the tomatoes get progressively less aerodynamic. The last team holding an intact tomato wins.
It is a family festival in the actual sense: three-legged races, face paint, an instrument petting zoo, and at least one attendee who brought her own parasol and her own eyewear and needed nothing further from any of us. By evening the front of the stage belonged to the dancers, and the age range out there ran roughly two to eighty.
Put a giant moon in a field, and people understand the assignment immediately.
After dark, and long before it
The Moon Booth
A hand-built wooden crescent moon with a painted face. A bench hiding in its curve. A white sheet strung up behind it, a light, and me. That was the whole booth, and it ran a line all day. In black and white it stops being a photo booth at a festival and turns into something older: a paper moon out of a hundred-year-old portrait studio, parked in a hayfield.
The moon gets its own credit line. It was donated to Tomato Jam by Pang Tubhirun, the Shepherdstown photographer behind Pangtography and Skull City Studio, her gallery and tintype studio on Princess Street. It was built by her husband, Shane Harris of The Other Place Signs, who hand-paints, carves, and gold-leafs signs all over this region and is apparently incapable of building something halfway. Look at that moon's face. That is a moon with opinions.
People came through all day and long after dark. Couples. Kids. Whole families. Friend groups that had to be stacked like firewood to fit. A musician with her guitar.
The part you scrolled for
Find your Tomato Jam photos
View + download the photosOne gallery, everything in it. Tap the heart on the ones you love and it keeps them together for you.
Every photo is free. If you feel like tipping, my Venmo is @A-May-14, or tip by card.
The photos are free. Actually free.
Download everything you want. Print them, post them, send them to your mother. No purchase, no code, no watermark, no email hostage situation.
Tip jar, entirely optional: Venmo @A-May-14 · or by card
If you don't, we're still friends. The photos were the point.
Thank you
To Rosie and Maria, for the invitation and for building the kind of thing Tomato Jam is. To Pang and Shane, for the moon. To everyone who sat on it, stood on it, leaned on it, or dipped somebody in front of it. And to everyone who let me point a camera at them mid-tomato.
My August Saturdays are usually spoken for. This one was well spent.
The rest of the year I photograph weddings and elopements around Shepherdstown and Harpers Ferry. If that's a thing you need, here's how to check a date.